Two scenes of art uneasily imitating life unfolded in "Paradise Now," the Oscar-nominated foreign language film from Palestine. The first involved actor Kais Nashef, 27, who plays a bomber who travels to Tel Aviv to complete his suicide mission. Director Hany Abu-Assad cast local Israelis as the doomed passengers on a bus. "That was the toughest for me," said Nashef, a Palestinian, who makes his home in Tel Aviv.
The other involved Nashef's costar, Ali Suliman, 28, who plays a fellow bomber. At one point, Suliman's character must videotape his last statement before a planned attack. When the scene was filmed, the set was filled with spectators from West Bank city encircled by Israeli checkpoints. "When I finished my speech," said Suliman, a Palestinian who lives in Nazareth, "it was so still, so quiet. And then all the people were crying. They saw themselves in the speech."
The above is from an interesting article on Middle Eastern men playing terrorists, (real or imagined) on film, and is well worth reading. As for the films themselves, I haven't seen United93, and thought that Munich was good to start off with, but stagnated after a while. Meanwhile, Syriana had some interesting concepts but wasn't a great piece of film-making. Paradise Now on the other hand is brilliant and deserves to be seen by as many people as possible. I'll hopefully post some comments on it later.
Posted by thinking
idosova).
Posted by thinking
Posted by thinking