With the Jameel Gallery of Islamic Art opening at the V and A museum on Thursday, Rachel Campbell Johnston stresses the importance of dialogue through culture in The Times (excerpt below). Meanwhile, the Telegraph has put together a picture slideshow. For more information visit the official website.
This stunning collection can speak for itself. It includes some of the finest treasures to come out of the Middle East, from the magnificent Ardabil carpet (the world’s earliest carpet with an inscribed date) through the liquid calligraphy of elaborate manuscripts to the intricate star maps of engraved astrolabes. A display such as this can work to broaden perspectives and open debate. It serves to re-emphasise the subtlety and sophistication of Muslim culture; that the Islamic world is about far more than fanatical extremism, and that ambitions can rise above bombing and jihad…
Art can speak of a shared spirit. When we lose sight of this we lose sight of the path ahead. For centuries we were pupils and dependants of Islamic culture. So what happened? The decline of their civilisation is often, ironically, attributed to its phenomenal success. Muslims, it seems, did not think they had much to learn from the infidel West. While, as early as the 16th century, Europeans were studying Arabic and exploring Muslim cultures, the Middle East maintained what looks almost like a wilful lack of curiosity. As it grew more isolated, the West slowly developed.
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en a willingness to move away from the traditional 4-4-2 formation. Last time Brazil played what could be described as anything from 5-2-3 to 3-4-2-1. The key was having enough defensive presence to allow the attacking instincts of Ronaldo, Ronaldinho, Rivaldo, Roberto Carlos and Cafu to shine.
At Eteraz.org, Natalia has a 